A Poet's Blog: Roger N.Taber shares his thoughts & poems...

Thoughts and observations by English poet Roger N. Taber, a retired librarian and poet-novelist.- "Ethnicity, Religion, Gender, Sexuality ... these are but parts of a whole. It is the whole that counts." RNT [NB While I have no wish to create a social network, I will always reply to critical emails about my poetry. Contact: rogertab@aol.com].

Name:
Location: London, United Kingdom

Sadly, a bad fall in 2012 has left me with a mobility problem, and being diagnosed with prostate cancer the same year hasn't helped, but I get out and about with my trusty walking stick as much as I can, take each day as it comes and try to keep looking on the bright(er) side of life. Many of my poems reflect the need to nurture a positive-thinking mindset whatever life throws at us.

Saturday 14 March 2020

Insight, the Twinkle in Time's Eye


Rarely are our thoughts processed more intensely and tested than as we ponder questions about life and death, especially the latter if only because it represents The Great Unknown and we human beings prefer to know (for sure) what we are up against. Throughout our lives, we have at least the semblance of some control, but over the time and nature of our death we have little or none. More disturbing still, what happens once we are cut free of a life that so loves to play us like puppets on a string and go into free fall? Something or nothing…?

Those who subscribe to a religion think they have the answer while those of us who don’t take hope from nature’s cycle of renewal.

Whatever, thinking about such things, homing on any conclusions (however arbitrary) we may reach and acting on them, is probably as good a preparation for life and death as we can aspire. 

There is much to be said for the old adage, look before you leap, but it has to be said that the looking eye does not always see; it is the inner eye, as prompted by searching thought, that is more likely to home in (or not) on not only what is it looking at but also looking for.

Looking, finding, reworking, making reparation, whatever ...  life, art and science owe much to its wannabes and wanna-knows. As for what anyone really thinks about all they see and hear, few will ever get to know unless they have access to his or her personal space.

INSIGHT, THE TWINKLE IN TIME'S EYE

Squatting on a patch of waste land,
imaging the growing emptiness
of wishful thinking feeding streams
of consciousness running through
alleys, backyards and housing estates,
watching the living and the dead
vying for time's favours in diaries
and poems they were always meaning
to write

Addressing the insubstantial nature
of shadows, inner sight focusing
on the human spirit playing host to body
no more or less than the flow of blood
feeding its veins as myth's muddy waters
close in, re-assessing attitudes scrawled
in everyday graffiti or glued to pasteboard
points of view; scientific, religious…
(does it really matter?) ever attempting
to win us over by fair means or foul
since that first day at school, now exposed
for the saddest, cruellest trick of all

Articulating on life as mind-body-spirit 
preparing mind and body to chance
a coming of age, despite envious gods
and their petty tyrannies if upstaged
by human selfishness, stuff of immaturity
feeding an ego-led imagination
(Oh, and whatever happened to that?)
and leading us astray who so love to think
we know it all

Focusing on and interpreting the purpose
of one starry eye watching out for us
who are frantically rummaging mortality,
for a kinder fate (surely?) than to be left
drifting in full view of old gods gathered
to gloat, our humanity come less than right
for running the gamut of human history
posed by selective readings between lines
of cautionary tales told by one, Jonah,
from the belly of a whale last seen spouting
gobbledegook to hunters well up for the chase
no more or less than for its own sake

Mind-body-spirit, cultivating the wry twinkle
of all-seeing eye

Copyright R. N. Taber 2010; 2016

[Note: This poem has been revised from an earlier version that appears under the title ‘Death Star’ in On the Battlefields of Love by R. N. Taber 2010.]


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Saturday 13 April 2019

Engaging with the Abstract

https://en.wikipedia.org/wiki/R._N._Taber

I have really never understood abstract art, but always been fascinated by it without knowing why. One day, at a Picasso exhibition, I commented as much to the person (a total stranger) standing next to me. “It’s not about making sense as we know it,” the woman said, “but letting it take us on a journey, wherever our senses choose to take us; it is the journey that counts, and at the same time completes the artwork. There's nothing like abstract art for giving the alter ego a wake-up call." She had moved on before I could quite digest this, but digest it I did, and have enjoyed taking more such journeys since. The mind operates along lines of its having to make sense of things' the heart, on the other hand, accepts that we don't.

Every time I engage with abstract art, it feels like it is taking me on a magical mystery tour around my inner self ...

I like to think at least some of my poems have much the same effect on those who engage with them, but maybe that's just wishful thinking ...

This poem is a kenning.

ENGAGING WITH THE ABSTRACT

I lead the mind a merry dance
across lesser known parameters
simply for their being red lines
drawn across localised elements
of human nature by ‘betters’
intent on feeding their own egos
(under the heading ‘Education’)
inviting any free, independent thought
to engage, comment, pass on

I invite the body to fly all time
and space, consort with pterodactyls
regenerating through time-space
to give poor history a pat on the back
for lending a poorer humanity
its spectrum of lost opportunities,
not only excused but redeemed
by all socio-cultural-religious dogma
ever written on tablets of stone

My task, to let the human spirit
enter into a global self-consciousness,
no matter its sensibilities fear
to see-hear-feel whatever hurt inflicted
on its own and natural worlds
by way of posing as a superior species
for its strength, intelligence,
or cunning wherever pure self-interest
put down to native ingenuity

Mind-body-spirit, actively taking part
in all that comprises abstract art

 Copyright R. N. Taber 2019

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Sunday 2 August 2015

Catcher in the Eye done Good

http://en.wikipedia.org/wiki/R._N._Taber

Years ago, I saw a painting in an art gallery that has made me reflect on the beauty of memory, capturing and preserving a precious moment in time. Yes, a photograph can do much the same, but a painting is so much more than a photograph; it reads aloud to the inner ear, thus inviting the inner eye to appreciate its every deliberate brush stroke in much the same sense and sensibility as one might appreciate iambic meter in a poem. As with all creative endeavour, the art lies in its artlessness, artist rewarding observer with an insight to a process that requires we tap into reserves of feeling of which the chances are we are not consciously aware.

Memory may fade, but the art-poem remains a part of us and will be sure to manifest itself in our approach to life, love, nature and human nature…; indeed, to  just about everything.

‘Oh,’ I hear some people say, ‘but that’s only if you have the imagination…’ Bollocks, to that! Imagination can and does work on our consciousness, yes, but it also works on the subconscious, possibly to even greater effect. So never let anyone lead you to believe you have no imagination; the human condition is better than that even where, sometimes, human nature fails us. 

Imagination is that Catcher in the Eye of which we may or may not be well aware but which, in any case, remains one of the sweeter mysteries of the human condition. 

CATCHER IN THE EYE DONE GOOD

Young girl with daisies
in the hair darts across a greeny field;
though brooding sheep
keep a sidelong watch on playful lambs,
the merry scene
attracts a frisky foal, prancing
at a boundary fence

Innocence

Young girl with daisies
in the hair glimpses a pretty butterfly,
gives laughing chase;
one tangent wing at a finger's tip,
angel face glowing
hope’s pink blushes, elusive happiness
caught on canvas

Copyright R. N. Taber 1974; 2001

[Note: An earlier version of this poem - under the title 'Brush Strokes' - first appears in Love and Human Remains: poems by R. N. Taber, Assembly Books, 2000.]

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Monday 11 March 2013

Blur

http://en.wikipedia.org/wiki/R._N._Taber

While waiting for a cataract operation on my right eye, I began to consider a deeper significance of the blur in front of me everywhere I went. [I am pleased to report that the procedure went well on March 1st and I can already see better although my vision in that eye remains a little watery.)


Now, why write a poem instead of an essay or a novel? Why paint a picture rather than create a sculpture? Why compose a symphony and not a ballad?  Could it be that the inner eye strives to focus on what can never quite come into focus because it does not exist, but remains a haunting presence needing to find ways to make itself felt if not known…?


BLUR


Everything is a blur;

I can scarcely see the way ahead...
Yet, I have only to look up
to spot friendly faces in clouds,
hanging from Earth’s ancient rafters
like celebration bunting

Everything is a blur;

I can scarcely see the way ahead...
Yet, I have only to look down
to spot familiar tracks in wet grass
leading to places I love whose smell
fills me with spring

Everything is a blur;

I am left peering into a misty rain...
Yet, I have only to let birdsong
into mind-body-spirit to negotiate
safe passage with nature’s finer forces
to Mount Parnassus

Senses, conscience, reasoning…

Blur is everything

Copyright R. N. Taber 2013



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Sunday 22 April 2012

In the Eye of the Beholder OR Inner Eye, Inner Ear, Sheer Poetry

https://en.wikipedia.org/wiki/R._N._Taber

Although I do not subscribe to any religion, that doesn’t mean I have any less love for the architecture of many religious edifices; for much of religious music, too, even if I cannot relate the words of hymns and other songs of praise. For that matter, regarding Christianity, I also have a great appreciation of much of the sheer poetry to be found in its Holy Bible. I once commented as much to colleagues during a debate about religion over a meal after work; all said they found this offensive. I could not, they insisted, have my cake and eat it; one even accused me of blatant hypocrisy when I added that I am not only often moved by examples of religious architecture and music, but they also appeal to a strong sense of spirituality in me even though I take that from nature rather than religion.

I mean no offence to anyone. An eye and feeling for beauty are unconditional, surely? Few people, I suspect, whatever their religion, could fail to be moved by the sheer beauty and magnificence of some of England's great cathedrals of which the oldest is Salisbury.

As for religion itself, I intend no offence there either when I often attack the hypocrisy I find in many religious minded people for whom their religion is a closed shop, and they have little if any time for anyone who does not pay the appropriate dues. I would like to say these are a in a minority, but at 66 years-old experience suggests otherwise. However, there are exceptions to every rule, and thank goodness for all those men and women who not only subscribe to their religion, but also to humanity in general, regardless of colour, creed, sex or sexuality.

Yesterday I uploaded today’s poem as a voice-over to a video shot by my close friend Graham who has been visiting family in Wiltshire. (See also below.) If you want to see other videos I have uploaded to my YouTube channel, go to:

http://www.youtube.com/rogerNtaber

This poem is a villanelle. [As regular readers will know, I am not averse to taking the occasional liberty with ’hidden’ rhyme.]

IN THE EYE OF THE BEHOLDER

Ancient and beautiful,
a watchful maternal eye;
Salisbury cathedral

Its spire, proud and tall,
reaching up to kiss the sky;
ancient and beautiful

Welcoming one and all
(no enquiring who or why);
Salisbury cathedral

Hear cloisters softly call
upon peace, its tears to dry;
ancient and beautiful

An ages-old clock’s toll
offering pilgrims sanctuary;
Salisbury cathedral ...

Ode to love, one and all,
(embracing Henge nearby);
old and beautiful ...
Salisbury cathedral

Copyright R. N. Taber 2012

Note: Alternative title added 8/19.




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